A New Dawn

We are absolutely thrilled to announce that the band has undergone a rather special line-up change as we’ve been joined on an ongoing basis by legends Nige Mason and Gordon Wilkinson!

The line-up now comprises:

Alec Marlow – lead vocals, guitar
Nige Mason – guitar, backing vocals
Emma Marlow – bass, backing vocals
Charles Shelley – keyboards
Gordon Wilkinson – drums

We can confirm that it sounds MASSIVE!!


The first quarter of 2023 has seen the band experience somewhat of a rollercoaster ride.

The new year found us in a very uncertain place emotionally following a particularly challenging period at the back end of 2022. This was only exacerbated by the departure of Izak towards the end of January, with the band reverting to its pre-2019 core 3-piece. For all there was far too much unfinished business to consider calling time, morale was at an all time low and it was unclear how we might continue.

We got together as a 3-piece just to do something to kick the new year off, whereupon we went through material older and newer. It was very shaky and it was felt that the music had evolved so much in the intervening years, that at the very least the introduction of a second guitar was the way forward, even if just to bolster the sound in a live setting.

However due to an element of growing external personal commitments, this was complicated by the need to take the foot off the gas in terms of regular rehearsal time. We were therefore unsure as to how the addition of anyone new might pan out. There were some gigs in the diary which were rationalised down to the two May dates (as were), to give us some time to figure things out.

Following discussions, there was no appetite within the band whatsoever for finding a replacement vocalist, be they female or male. In any case, as a singer I really wanted to find my voice again and return to the lead vocal position. I took to the studio and began to work through the recordings, finding my place in the songs and making them my own. For all that I had written the lyrics, I hadn’t properly performed some of them before. It was a liberating experience having the mental space to be able to do that and my confidence began to return.

I contacted our friend and much respected musician Nige Mason to ask if he might be interested in helping us out, playing guitar in particular for the planned Manorfest set. We had played a number of times with his band Hollow Earth and he was a fan of our music. He was interested but had not played in a band with a full drums-laden backing track before and had some concerns. At this point it was suggested that we could ask Gordon Wilkinson (also of Hollow Earth / Ironrat / Lazarus Blackstar) if he might be interested in playing live drums. Gordon had already played drums on our forthcoming single and had shown an interest in playing more. Nige asked him, he very quickly accepted and a meeting was called so we could iron out logistics (which were not inconsiderable).

Following the meeting, the original remit was for the lads to primarily help us out live for the Manorfest appearance but the more we got together and the more we talked and planned, it became evident that this was the beginning of a very special and exciting chapter. Everyone was bang up for it, on the same page and this was cemented further when we all got together to play. And so very quickly and naturally 3 plus 2 became 5.

Unfortunately, the Manorfest festival was cancelled not long after that and whilst this was disappointing, had it not been taking place in the first place, we would not have ended up where we are. In this case, it is very easy for us to take the positive out of the negative.

Our first appearance will be at the 1 in 12 club on Saturday 20th May supporting Rome Burns and Inkubus Sukkubus.

It’s our intention to proceed with this line-up / configuration going forward for all activities.

The next chapter – farewell Izak

As we begin the new year, it is with heavy heart that we announce Izak Gloom is leaving the fold.

As described in our last post, the end of 2022 was a challenging time for us and following the departure of Kaz in December, there was a degree of uncertainty as to how we might move forward.

After a period of reflection, coinciding with an increase in activity with his main band Wolves In Winter, Izak decided that now would be an appropriate time for him to step down and concentrate on that.

Izak joined Dawn of Elysium in July 2021, bringing with him a strong musical presence, which will be sorely missed. We’d like to thank him for his contributions during his time with us. We all think the world of him as a friend and musician and look forward to supporting him in Wolves In Winter going forward.

As for the band going forward, we’ll be continuing as we are for the foreseeable future and not actively seeking to expand the core line-up at this time. We will however be looking to bolster our live presence in terms of guitars, so you may hopefully see more of us on stage for the few live appearances we do have this year.

By Idle Hands Posted in News

Turn and face the strain

The single constant most dependable thing in life is change. Some fear it, some hate it, yet we all must face it. And you can’t fight it.

2022 has seen the band enter its second decade of existence. During the first ten years, we experienced a number of changes and chapters, both within the band and externally. We’ve had good times and bad and people have come and gone. The last 3-4 years in particular saw us go from a 3-piece to 4 to 5 and in the last 18 months, a different 5. The band dynamic has changed considerably over time and also I’d like to think the sound has become more sophisticated. Different ideas and approaches have been tried. Some have worked and some not so much. Although enjoyable, it has at some points in recent times felt creatively inconsistent.

Since embarking on the “The Mandela Effect” album project in 2019, a break and line-up change during the pandemic and attempting to get match fit again in 2021, there has been a large element of playing catch-up with material that was already there. It has seemed like a very long time since we composed anything brand new as a band and certainly with the latest line-up this has never happened.

This year has proven especially challenging for some of us for various reasons and what should’ve been a wholly fun and enjoyable landmark year for us was much more of a struggle than anticipated. Despite a reasonably productive year for live work and decent progress having been made on the album, towards the end of the year the ship was not running as desired.

Keeping busy is often a great distraction from addressing things which need addressing and it can be all too convenient to hide behind the “see how it goes” mantra. In a band dynamic which involves very close friendships and relationships, problems can be difficult to navigate and compartmentalise to the point of discouragement. Before long, something which is supposed to provide you with a sanctuary from life’s problems becomes something which is not that.

It was a long overdue time for us to “turn and face the strain” and address all of the above.

After some discussion, it was decided that the last two gigs of the year were to be our last under the current regime and with the current line-up. Unfortunately, ill health dictated that the last appearance, due to take place in Sheffield on 17th December would not be possible and so the Keighley gig on the 10th was to be the last.

And so, after almost three and a half years, Kaz Buxton is leaving the fold. The band would like to thank Kaz for her work and everything she has brought in that time and we wish her luck for future projects. Kaz leaves to pursue her ongoing band Echofire and her role in local rock covers band Whiskey Shed.

As for the rest of us, the plan is to enter 2023 with a blank page and a fresh resolve. Much is yet to be determined but in the short term, we all agree that there is a very real need to take the pressure off and get back to what we really enjoy doing, which is creating new music at our own pace with no other agenda.

We have some live dates in the calendar for later in the year, which we will of course look forward to playing and whilst opportunities will be considered if offered, we will not be actively seeking them for the foreseeable future. It is all too easy to fall into the trap of filling the calendar to the point where rehearsals and gigs take over the creative process.

Work on The Mandela Effect album will continue in the background as an almost parallel process, the rest of the band members having mostly recorded their parts anyway.

More news on all of this as it takes shape next year.

We’d like to thank from the bottom of our hearts all of the bands, promoters and everyone who has been out to watch us and help us celebrate our first ten years this year.

Have a wonderful festive period and all the best for 2023. See you on the other side!

Cheers!

Alec, Emma, Charles, Kaz and Izak


NEW RELEASE: “Storm” single 04/02/22

We are super excited to release our brand new single “Storm”.

Storm is the first song to feature our new line-up with the talents of Izak Gloom on guitar. It’s a song that we’ve had kicking about for a few years, originally composed around the time we were writing songs for “Raven“. It was never quite finished and it didn’t really fit in at the time. With the added input of Kaz and Izak, we feel that is very much not the case now. It’s a barnstormer of a song! We hope you enjoy it.

As with every online single release, we’ve included a b-side, this time a total rework/remix of the title track from the “Time and Tide” album. This has been a few years in the making. The original piece was an atmospheric instrumental, written in the studio in one session, almost a last minute thing really. Our friend Phil Sibson (aka Bad Disciple) loved it and heard something completely different in it. He came back to us with a completely new recording of it with a different vibe. I loved it and it inspired me to write some lyrics, which I did and then recorded some vocals. It kind of got left for a while after that as something didn’t quite click. Phil’s version, brilliant as it was, did not retain any of the original instrumentation which I wanted to keep and play with. I kept poking at it periodically and eventually decided to completely redo it, keeping much of the original instrumentation but adopting the vibe of Phil’s version. I asked goth extraordinaire Lee Meadows (aka Batboy Slim) if he’d like to get involved with the drum track in order to get a fresh pair of ears and a different vibe on the job. As always, he did a sterling job. I love working with Lee. We have come up with something I am really proud of. It certainly offers quite a contrast to the a-side, kind of the calm after the storm. This version is called “Time and Tide (again)”. I hope you enjoy listening as much as we enjoyed creating it.

“Storm” is available from all good digital outlets from 4th February, 2022

Welcome new guitarist – Izak Gloom

And so the evolution continues.

We are super excited to announce our latest addition to the band. Following Tim’s departure in March, Izak Gloom (aka Izak Buxton) has stepped in as guitarist. Please join us in welcoming him to the fold. Izak has been a friend of mine for many years and he brings with him a wealth of experience and a very strong musical history.

Izak was originally a member of Chorus of Ruin, a band which emerged from West Yorkshire in the early 90’s, alongside gothic metal pioneers Paradise Lost and My Dying Bride and gained an underground cult following, which I believe endures to this day. Following a time in stoner/grunge metal band Silverburn, he later went on to play with legendary acts Lazarus Blackstar, Monolith Cult and Solstice before forming his own band Wolves In Winter last year. Primarily a bassist by trade, Izak is also an accomplished guitarist and he brings with him a different perspective and a wealth of ideas. Although he has a passion for the heavier end of the musical spectrum, his influences reach far and wide and he has a very keen ear for melody and harmony.

It’s early days in this chapter of the band yet as Izak familiarises himself with our existing material. However, he is already raring to get involved with writing new things and contributing to the tracks we have in the pipeline. There is much to look forward to indeed.

If you have been to any of our gigs over the last couple of years, you may well recognise Izak. He is the husband of our singer Kaz and has been incredibly supportive of us, often taking care of the merch stand amongst other things.

As the live scene slowly winds back up again, we have just two gigs in the diary for 2021 as yet.

Our first appearance with the new line-up will be at Nightrain, Bradford as part of the Infest warm-up festivities on the August bank holiday weekend. With Infest plans in flux, the exact details of our appearance are still a work in progress. It was originally intended that we play on the Thursday night but this is almost definitely subject to change and we are not in a position to announce anything further at this time.

Our second appearance will be on 30th October, again at Nightrain. This time with Syteria. More details TBA.

By Idle Hands Posted in News

NEW RELEASE: Far From Home single – 18/12/20

We are very excited to present our third and final release of the year “Far From Home”.

In contrast with our previous release “Driftwood“, “Far From Home” sees us return to our darker, heavier progressive goth sound. The a-side “Gravity (far from home)” is a full remix of the track “Gravity” from the “Raven” album with added vocals.

The song was originally written back in 2005 for a previous band and has always had lyrics but with the exception of the opening section, Dawn of Elysium played it as an instrumental piece. This worked rather well for a time but when Kaz joined the band and added her vocals to it, something magical happened and despite having not that long since recorded and released it, we felt it was well worth a revisit. We hope you enjoy what we’ve done with it.

The b-side is a cover of Sisters of Mercy’s “Poison Door”. After finishing the work on the acoustic / orchestral and very serious vibe of Driftwood, we felt it was necessary to redress the balance somewhat, return to our goth roots and have some fun in the process whilst not having to think too much about composition. Poison Door is a song I have loved for many years and have secretly wanted to play it for ages so we thought – why not? Yes we’re probably breaking some goth convention somewhere and have probably raised a sneer or two from the “too cool for school” brigade but we’d like to think we have made it our own and in our defence we’ve not picked an obvious one. Have listen, we hope you like it and that you listen to it in the fun spirit with which it was recorded.

Have a merry Christmas and a happy new year!

Alec, Emma, Charles, Kaz and Tim

NEW RELEASE: Driftwood EP – 13/11/20

We are very pleased to announce the release of our latest EP “Driftwood”.

Somewhat of an excursion for Dawn of Elysium in a couple of ways, the idea for releasing Driftwood was born from the acoustic performance we did for Alastair Appleby as covered in our previous article. Of the four tracks performed on that day, we took those versions of “Why Now? Why Me?” and “Lost And Found” into the studio and developed them further, adding orchestration and piano to each.

Sandwiched between the two is a song from our forthcoming album “The Mandela Effect”. More news of which later.

Somewhat of an oddity in itself, “Ghost in the Machine” was started off with the intentions of becoming a bridging piece on the album but it evolved into something more substantial. We are very pleased to announce that the song has been adopted for inclusion in a forthcoming film called “Scarred Evolution” and we thought it would be a good opportunity to release it in its current form, hence the title “Ghost in the Machine (Scarred Evolution)”. The track’s journey has not yet finished and the version on the album will likely be different but it gives a taste of the kind of vibe to expect. In contrast to the acoustic/orchestral vibe of the other two songs, “Ghost in the Machine” explores our more progressive influences to a greater degree than previous work.

The EP releases on Friday 13th November and will be available from all good digital outlets. A physical CD release will follow, more news on that later.

Driftwood is dedicated to Alastair and was recorded as a thank you for all of the support he has given us throughout the years.

NEW RELEASE: First Light single

We are very excited to announce the release of our brand new single “First Light” This is the very first recording to feature the full post-2019 line-up.

Track 2 is a remix of No More by the goth legend that is Lee Meadows. He is now going under the moniker of Batboy Slim. Many thanks to Lee for his excellent remixing skills.

The First Light single will be available from all good digital outlets (Bandcamp, Apple music, Amazon, Spotify, Google play and many more)

Four becomes five

Just a few months after recruiting new guitarist Tim Furze, we are delighted to announce that we have expanded our numbers further.

On 16th July, Kaz Buxton joined the fold as additional lead vocalist.

Kaz had previously joined us on stage a couple of times to sing “Divide and Conquer”, which is a song she originally sang in our old band Suicide By Cop. A desire for her to be more musically active, coupled with us wondering what she might sound like singing some of our other material led us to getting together to see what happens.

It’s very early days as yet but so far it’s sounding great. We are really looking forward to giving a taster of things to come at the Shadow of the Castle festival this coming Saturday.

Going forward, I still intend to perform some lead vocal duties as well as write the lyrics, so hopefully we won’t be changing beyond all recognition, although we will continue to experiment as is the ethos of the band.

Depending on availability, future gigs may or may not feature all five of us, especially during this transitional period.

We are already working on our next recordings, which will feature the full line-up. More on this in due course.