Studio diary #1: The journey begins with a single step and a large boot!

As everybody emerges, bleary-eyed into 2015, we are turning our attentions to all things recording.

The last thing we recorded and published was the single song Smoke and Mirrors back in the summer of 2013. Apart from this, there are no existing recordings which are representative of the band’s current sound. And so we felt it was long overdue for us to commit something to disc. Therefore, we have resolved to self record and release our debut album in 2015.

We are delighted to have the involvement of Martin Hawthorn, who has kindly agreed to produce the album with us.

Martin was the bassist and founder member of 80’s and 90’s bands Excalibur, Loud, PADD and Hardware and he has worked with such production luminaries as Simon Efemey and Killing Joke’s Jaz Coleman, amongst others.

As we unboxed the the new studio equipment last night, pre-production began in earnest. The first stage is to strip back the existing songs and take a good look under the bonnet as we’ve never done to this extent before. It’s amazing what you find when you put everything under the microscope.

Apart from inevitable tweaks and reworks, there’s more writing work to be done and pending ideas to be developed over the coming days and weeks. It’s going to be a very interesting and busy period!

We are curtailing seeking any live work for the time being but as always are receptive to any offers.

Gigs and other stories

Our run of spring/summer gigs is now coming to a close, with just one more slot planned for the bank holiday weekend (25/08).

The last five months have been very eventful for the band. With a revamped sound, in March, we took to the stage and entered a period of gigging. We have since met some really nice people and played with some great bands, making a few new friends and fans along the way. It seems at times like we have done quite a bit but our journey is still really only just beginning. It is now time for us to develop our sound and repertoire further.

Over the late summer and autumn period we shall be turning our attention to writing, recording and experimentation. Our debut EP was recorded last autumn and although we are all still very proud of the results, in some ways it no longer seems to be an accurate representation of our sound.

However, we are always on the lookout for gigs and we’ll consider any opportunities. Our calendar is fairly open at the moment and we are interested in any winter slots which may be available. Please get in touch if you are interested in booking us.

Thank you to everyone who has helped and encouraged us so far. We are all having a blast! 🙂

Under The Gun

Idle Hands's avatarNorthern Stories

In May, Emma and I started a new bi-monthly night at The Black Swan in Bradford, named “Under The Gun”. You may have noticed various events in the “Upcoming Activities” bar on the right hand side of the screen on this site. Our intention was to set up a goth/dark alternative live night, aimed at the more up and coming bands on the scene.

The idea was born from enquiring about gigs for our own band and the discovery that there are fairly lengthy waiting lists for support slots at the more established local goth nights. We got the impression there were a lot of bands chasing not many gigs and from speaking with the promoters, they were having trouble in managing to give everyone a slot. Therefore we concluded that there was certainly room for another local platform for live goth and to begin with, once every two months…

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The drums situation

As you may have read or heard, our drummer Phil decided to leave the band in late February and we advertised for a replacement shortly afterwards. However, we decided that we did not want to cancel any gigs that we had already booked and in order to honour these, we needed to come up with a solution quickly.

Many bands who play goth orientated music use electronic backing tracks and it seems synonymous with the genre. Also, we have all had experience of playing with bands without a live drummer, so we decided to give it a shot. We played our first set sans live drums on 30th March. Principally, it worked well for us despite some sound issues. Opinions are divided on the issue; some insist that we need live drums and some think it sounds better for using artificial drums. It is certainly a very different way of working and whilst we did enjoy the organic aspect of having a drummer, there are certainly many advantages to doing it this way. We do value everybody’s opinion on the matter and take everything onboard.

We have decided to pursue the electronic avenue for the foreseeable future and as such, we have taken the advertisement down. However, if the right candidate happens to come along in the future, then we may certainly consider reintroducing live drums.

Check out our gigs page for upcoming events, they are slowly increasing in numbers and we are starting to branch out too. See you at the next gig! 🙂

A year in the life

After a fairly eventful first year for the band, I think we can finally say that we have made some kind of mark in the world, albeit a small one. As we reach the end of 2012 and break for the Christmas period, it’s a nice time to reflect on this first year in the life of Dawn of Elysium.

The idea for setting up the band was actually conceived on 2nd December, 2011 and after a few days of messages going back and forth, a line-up was formed which consisted of Emma, Phil and myself as well as a vocalist and lead guitarist. After the obligatory first band meeting, we started rehearsing on 15th January, 2012 as a 5-piece. However, the first incarnation (originally intended to be called “The Wraith”) was not to be, as the original vocalist and guitarist left after a couple of months.

It was a hectic and in some respects, an overwhelming time. It’s never easy starting a new band, especially when the not all the members know each other. In hindsight, it wasn’t really a huge surprise that it didn’t work first time. Musicians can be funny onions at the best of times and it’s not uncommon to find personality clashes. We did part company on amicable terms (at least I’d like to think so). The other guys had a short lived studio project called “The Wraith Within” some months later but this seemed to fade into obscurity. We’ve not heard anything on the subject since.

The name Dawn of Elysium didn’t actually come along until March 2012, when we rebooted the band and started developing our sound. It’s when we really consider the band to have started properly. Over the course of the spring and summer, many ideas were tried and scrapped and the bits we kept from the previous period were meticulously reworked. This is when we really came together as a group of musicians. This phase culminated in us playing a short set as a 3-piece for a friend’s 40th birthday bash on 8th September. We decided not to advertise this appearance because although the sound was “there”, we felt there was still something missing.

Just prior to our little “pre-gig”, we had been in touch with keyboardist Charles Shelley about the possibility of him joining the band and the first time we met him in person was on the night itself. He liked what he heard, we got on well and he commenced rehearsals with us on the 12th just the following week. We did the bulk of recording work on our EP at the end of September and prepared for our first gig together as a 4-piece (the first one we actually advertised) on 13th October at Bradford University. It was part of an all-day charity event called “Headival”. It was a great opportunity to play our first gig at such an event, as not only did we play in front of some people whom we’d never met, we also met some great bands. At the end of October we completed work on the “Sense of Belonging” EP and released it online.

On 24th November, we were given the opportunity to play at the Library in Leeds. This was part of an industrial night called “Kerosene” and we opened up for Japanese band Psydoll and Leeds industrial band Spekulus. We were well received and met some great people in the process.

This rounded off the year nicely and in the short time since the gig we have turned our attention to writing new material. This coupled with our first review for the EP has left us ending 2012 on a high. The four of us are really gelling musically and we are looking forward to starting 2013 in earnest, expanding on our set and getting out and playing.

From a personal standpoint, it has been new territory for me; playing a style of music I had not really attempted before and meeting people from a scene I had not previously been all that familiar with. We’ve met some very friendly and supportive people in this first part of our journey and we’d like to extend a huge thank you to everyone who has helped us so far, in whatever capacity. We are all very much looking forward to getting out and about, playing and attending more gigs and making new friends.

Have a very happy Christmas and all the best for 2013 from all of us! 🙂